Psychedelic Art Exchange | Concert Poster Store — Jefferson Airplane,Fillmore Auditorium (Mime Troupe Appeal II) *Near M
Jefferson Airplane,Fillmore Auditorium (Mime Troupe Appeal II) *Near Mint 89*

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This poster is accompanied by the following:

  • PAE Certification of Grade

  • 30 Day No Risk Guarantee of Complete Satisfaction

  • Lifetime Guarantee of Authenticity

  • Lifetime Guarantee of Grade

You may view this poster in person at our Gallery.
For further details contact Glen Trosch
Phone: (410) 464-6180 (9am-5pm, EST)
or email

Jefferson Airplane,Fillmore Auditorium (Mime Troupe Appeal II) *Near Mint 89*


We are offering a truly scarce and historic document from 1965. The greatest Rock and Roll promoter of all time, Bill Graham, got his start in San Francisco as the Manager of the San Francisco Mime Troupe. When the director of the Troupe, R.G. Davis, was arrested for performing in the Parks without a permit, Graham held a series of benefits to raise money for his defense.

These benefits proved to be the genesis of Grahams work as a promoter, the appeals featured local Bay area bands and were highly successful. This is part of what led Graham to start hosting shows at the Fillmore Auditorium. This piece promotes the second installment of the “Mime Troupe Appeal” series and marks the first held at the historic venue. Additionally, although not noted on the bill, this is the first time that Jerry Garcia and co. played as the Grateful Dead.

  • Poster – San Francisco Mime Troupe Appeal II Handbill
  • Grade –  Near Mint 89
  • Bands/Bill –Jefferson Airplane, The Great Society, The Mystery Trend, The John Handy Quintet, The Gentlemen’s Band,
  • Venue – Fillmore Auditorium
  • City – San Francisco, California
  • Date – 12/10/65
  • Dimensions – 7 1/16”  ” x 9  7/16””
  • Printing – (OP-1) Original Printing
  • Series/ Promoter -  Bill Graham
  • A.O.R # -  2.36
  • Condition details- This  thin paper handbill Measures 7 1/16”  x 9  7/16”” There is an 1/8” nick on the right hand side about 1” from the top . 


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